Andrew Fouts, baroque violin, joined Chatham Baroque in 2008. In performance with the ensemble he has been noted for his “mellifluous sound and sensitive style” (Washington Post) and as “an extraordinary violinist” who exhibits “phenomenal control”(Bloomington Herald-Times), while the Lincoln Journal-Star wrote that his “talent challenges the top soloists of today’s classical stage.” In 2008 Andrew won first prize at the American Bach Soloists’ International Baroque Violin Competition. In addition to Chatham Baroque, Andrew has performed recently with the Four Nations Ensemble, Apollo's Fire, Musica Pacifica, Philharmonia Baroque, and as soloist with American Bach Soloists. As concertmaster of the Washington Bach Consort the Washington Post has written "... Fouts, the group’s new concertmaster, was exemplary on the highest part, playing with clean intonation and radiant tone." email@example.com
Patricia Halverson, viola da gamba, holds a doctoral degree in Early Music Performance Practice from Stanford University. After completing her graduate work, she studied in the Netherlands at the Royal Conservatory in The Hague. A native of Duluth, Minnesota, Patty is a founding member of Chatham Baroque and has been instrumental in raising the level of baroque chamber music performance in the Pittsburgh area. In addition to Chatham Baroque, Patty has performed recently with Ensemble VIII of Austin, TX, the Washington Bach Consort, The Rose Ensemble of St. Paul, MN, and the Pittsburgh Symphony Orchestra, performing the Brandenburg Concertos.
She teaches viola da gamba privately in the Pittsburgh area and in recent years, has served on the faculty of the Viola da Gamba Society of America’s summer conclave. firstname.lastname@example.org
Scott Pauley holds a doctoral degree in Early Music Performance Practice from Stanford University. Before settling in Pittsburgh in 1996 to join Chatham Baroque, he lived in London for five years, where he studied with Nigel North at the Guildhall School of Music and Drama. There he performed with various early music ensembles, including the Brandenburg Consort, The Sixteen, and Florilegium. He won prizes at the 1996 Early Music Festival Van Vlaanderen in Brugge and at the 1994 Van Wassenaer Competition in Amsterdam. In North America Scott has performed with Tempesta di Mare, Musica Angelica, Opera Lafayette, The Folger Consort, The Four Nations Ensemble, The Toronto Consort, and Hesperus and has soloed with the Atlanta Symphony Orchestra. He has performed in numerous Baroque opera productions as a continuo player, both in the USA and abroad. He performed in Carnegie Hall in New York and at the Library of Congress in Washington, DC, with the acclaimed British ensemble, the English Concert. email@example.com