Anna Marsh


Anna Marsh is a Baroque wind specialist, who is also fluent in Renaissance, Classical and Modern instruments. Her interests lie principally in the double‐reed family, though she also performs on the Renaissance and Baroque recorder. Originally from Tacoma, WA, Anna appears regularly with Opera Lafayette (Washington, DC), Tempesta di Mare (Philadelphia), Ensemble Caprice (Montreal), Tafelmusik (Toronto), Opera Atelier (Toronto), Seattle Baroque Orchestra, Washington Bach Consort (DC), among others.  She has been the featured soloist with the Foundling Orchestra with Marion Verbruggen, Arion Orchestre Baroque with Jaap Ter Linden (Montreal), The Buxtehude Consort (Philadelphia), The Dryden Ensemble (Princeton), the Boulder Bach Festival, New York State Baroque, Indiana University Baroque Orchestra and others.  She co‐directs Ensemble Lipzodes and has taught both privately and at festivals and master classes at the Eastman School of Music, Los Angeles Music and Art School, the Amherst Early Music, Hawaii Performing Arts Festival, and the Albuquerque, San Francisco Early Music Society, Rocky Ridge Music Center and Western Double Reed Early Music Workshops.  She has also been heard on Performance Today, Harmonia and CBC radio and recorded for Chandos, Analekta, Centaur, Naxos, the Super Bowl, Avie, and on Trinity Wall Street’s grammy nominated album on Musica Omnia.  Marsh has studied music and German studies at Mt. Holyoke College, the University of Southern California and at Indiana University. She holds a Doctorate from Indiana University. For more information, please visit:

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